“The work of Amjad Nasser forms passages in and out of time, qualities of light and darkness, images that are never only images but sentences built on and out of the density and delicacy of his beloved and mysterious red stone city of Petra, place of living memory whose deepest origins remain secret. His poems are dramatic but the drama is built into the phrasing, the turning of the verses, the relentless nature of what comes at you from within and without, the primordial and newly minted, all at once. Stopped by Homeland Security before even reaching the border on his only attempted visit to the United States, Nasser’s work truly comes from another world, one whose rhythms and texture we have long suppressed or destroyed.”

    —Ammiel Alcalay, author of a little history and from the warring factions 

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